There are five presets for the seven parameters but fine tuning the effect is worth it for creating a well-matched reverb. As with the delay, the reverb can be applied to either or both of the upper and lower rows of SEMs. The OB-E’s worthy but lonely delay effect has been joined by a new reverb engine. GForce OB-E v2’s flipped SEMs Additional space The effect is far more complex than a simple detune, and in combination these are essential sound design flavourings, especially for the new Drum Mode. It pays to turn Vintage all the way clockwise to hear what’s possible and work back to where coherence and unpredictability are best balanced. Finally, the Analysis view gives you a visual representation of your sound. The resulting shifts in tunings, filter behaviours and envelope generator timings temper the mechanical edges of the synth, with more transient or percussive sounds displaying the most overt shifts. Detune range sets the maximum amount by which your voices will be detuned. A selection of parameters across the SEMs are pushed and pulled as the Vintage knob is wound up. It still introduces depth to unison patches and polyphonic chords, but for wilder effects the individual SEMs can be teased apart with their VCOs, the lower global frequency knobs or the Group/Offset switches.ĭetune wasn’t softened in isolation it was adjusted to work in conjunction with the new Vintage control. The former has been toned down to provide a more subtle detuning across the 8-Voice. To the left of the keyboard are the two controls most directly attributable to the GForce/Oberheim collaboration: Detune and Vintage. GForce OB-E v2’s Sequencer A refined vintage A set of twelve Drum Mode presets are ready to kick things off, particularly for those unfamiliar with synth drum programming. There may only be key assignment for SEMs, but it turns the 8-Voice synth into an eight-piece kit. Crank the level knob all the way up and set the detune knob at 10 o’clock to enhance solos, or set the level at 10 o’clock and push detune to two o’clock for a massively dense rhythm tone. The SEMs are primed for creating percussive sounds, from kicks and snares to cymbals and gongs, thanks to their substantial set of synthesis tools. The Luxe can certainly pull off excellent chorus and vibrato tones, but its thick doubling effect is the pedal’s calling card. In this mode, each SEM is linked to a key from C2 to G2, as indicated by a graphic above that key range. The last option is Dive Bomb which takes your pitch 3 octaves down. ![]() The options include +/- 2 octaves, 1 octave, a fifth, a fourth, and a second interval. busted out my favorite detuning machine (Dremel) and did a light detune on the tips. dur, Pseq(0.25, 0.5, 0.25, 0.5, 1), amp, 0.06, detune, 1.005 ), inf).play(quant: 1) p2 Pxrand( Pbind( instrument, sine2, dur, Pseq(0.75. On the right side, you select the interval of your choice with a single knob. Newschoolers In-Depth Ski Review of the 2021/2022 4FRNT Devastator. The second half of the Detune sweep brightens the tone slightly. At the most extreme lower settings it just stops at uncomfortably detuned, maintaining a tone that would have some wacky, possibly Ween-inspired applications. Drum Mode can be accessed either via a keyboard shortcut or by loading a drum preset. Review The DigiTech Whammy V features a simple user interface that makes it easy to understand and use. Dialing the Detune below the middle darkens the sound without reducing treble.
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